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Classical music, as well as pop, is everywhere; in movies and commercials soundtracks, in offices and shops, even in memories. Pop music began to develop from Classical music, including musical language, notation, and culture. Surely these music genres are not equal and each can be excellent in its way. However, in many ways they both are still quite close and have only a few things separating them. This essay compares peculiarities of classical and pop music, which have its similarities and differences.
Classical and Pop music sometimes seem dissimilar to each other in a way that it is easy to forget they share identic base. However, everything a listener hears in the western tradition, from Beethoven to Bieber is constructed from same twelve building blocks that are notes of the ordinary chromatic scale. Additionally, without Bach’s musical architecture there probably would be no pop, no jazz or soul. Furthermore, Mozart’s chord progressions form the foundation of a great deal of famous pop song ever since.
Furthermore, Classical and Popular music both share a cultural frame and part many aspects of musical language. Regardless what the student tries to master classical harmony or electric guitar, he or she will have to learn chords and how they cooperate. While learning to play an instrument, the player is most likely to study both classical and popular pieces. Besides, she or he will find out that most musicians do not worry much about genres. Pop music acknowledges a substantial melodic and harmonic debt to its elder, sometimes more significant relation.
Sonata form in the Classical music has three sections exposition, development, and recapitulation. The standard strophic form of Popular songs that has a couple of verses and choruses, a bridge passage like development and returning to the chorus although in a different key like the recapitulation. The standard structure of Popular music consists of verse, chorus, and again verse and chorus. Commonly, Pop forms remain, if needed, rather simple, whereas Classical music develops more detailed and complex forms.
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Classical and mainstream Pop are both great musical genres might because they bring people together, unite them around feelings they have in common, around the culture they share. People listen to the music every day, even in a supermarket, at a doctor’s office, at the party, resting after a hard day. For different purposes, there is a different genre of music, with different style and mood. Therefore, the best answer to the question “which kind of music is best?” would be “best for what?”
However, Pop songs arouse people’s emotions just as strongly as much as the Classical music has. The first assumption may be the length that a three-minute track possesses rather modest aims, simply because it so short. There is a common stereotype that symphonies reach deeper than a song, that novels are weightier than stories. Nevertheless, while listening to the music, a person experiences intense emotions, no matter to what kind of music he or she listens to.
The profound differences regard to duration of the composition. Pop songs are short, most of them are under three minutes long. On the other hand, Classical pieces range from 20-second phrases to works that last few hours; an average symphonic concert lasts for half an hour. The three-minute limit of most Pop songs is just extremely limiting; Pop compositions are miniatures by definition. Therefore, there is almost no place for a great variety of Classical music in Pop songs.
An additional determining factor is the notation of the music itself. Most of the Classical music is written on sheet music with details and specifics provided or the performer that include tempo, mood, accents, etc. Comparatively, Pop music notation usually includes only the chords that are written underneath the melody, normally the lead vocals. Furthermore, the performer gets a lot more flexibility as well, when Classical music has no place for improvisation.
Another difference is in the modification in volume between the loudest and the softest sections, the dynamic range is greater in the Classical music than in Pop. Some pieces are very calm, others are very emphatic, and some may differ dramatically in the same movement, sometimes so widely that it is almost impossible to record the full range. Comparatively, modern Pop lacks this drama and range of the Classical music.
The prominent factor is that instrumentation effects the style of a piece enormously. Classical Music operates instruments that remain comparatively unchanged for hundred years; whereas Pop music instruments have electricity running in the majority of them. If to play Bach on the electric guitar; it could easily be mistaken for a metal guitar riff. On the flip side, if to take Popular composition to Classical instruments, it can be considered as Neoclassical work.
Another considerable difference is that Pop music relies mostly on a vocal part of the composition, not the music itself. There is usually a singer’s voice and lyrics that transmits a major part of a selection's meaning, mood, and atmosphere. However, a vocal music is only a sphere of the Classical music and not even the most extended. In contrast, in the domain of opera or art song, the instrumental music transmits the message.
Each new epoch introduces changes that at first are opposed by traditionalists albeit later become natural and acknowledged. The finest music is one that touches person’s emotions and feelings most effectively. Classical and Pop music sound different, feel unlike, and is driven by differing purposes. Nonetheless, at its nature, their concerns are equal to affect people’s emotions and feelings through beauty and enjoyment; to open their minds and hearts, and to entertain.
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